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Before La Bola Negra has properly introduced any of its three stories, its opening credits are already doing something interesting with history. Black-and-white photographs are covered, partially and sometimes aggressively, with bright pink paint. The older images do not disappear completely, but they are never presented as untouched archival objects.
Written and directed by Sandra Wollner, Everytime doesn’t take much time to move into a devastatingly emotional sequence in its first act, forcing the characters to settle into its aftermath. That is difficult territory for any movie.
Buddy is hitting theatres on August 28, after a festival run that started at the 2026 Sundance Film Festival and has since included SXSW, the Cleveland International Film Festival, Overlook, and, most recently, Fantasia in Montreal. Somewhere along the way, it also forced me to accept that mascot horror is officially its own subgenre.
I caught No Rest for the Wicked as part of the 2026 Fantasia International Film Festival, where it made its world premiere and became one of my favourites of the festival. Fantasia’s Cheval Noir jury shared that response. Kasper Kalle received the award for Best Director, while Pilou Asbæk earned an Outstanding Performance Award for his work as Helge.
It has been 14 years since Casey Walker last brought a film to Fantasia. His horror-comedy A Little Bit Zombie played the Montreal festival in 2012, and he has remained connected to Canadian genre filmmaking since then, including as a producer on The Void and In a Violent Nature.
Someone’s Daughter begins before it gives us anything to look at. A tense, slowly rising score plays over the opening credits while writer-director Wiebke von Carolsfeld holds back the image. By the time the screen opens up, we are already in the middle of a kidnapping.
The Fantasia International Film Festival returns to Montreal from July 16 to August 2, 2026, and this year marks a big one: the festival’s 30th edition. This film festival preview focuses on 15 feature films that stand out across the Fantasia 2026 programme.
There is something telling about the path Sad Girlz has taken over the last few months. Written and directed by Fernanda Tovar in her feature debut, the Mexican-Spanish-French co-production premiered in the Generation 14plus section at the 76th Berlin International Film Festival, where it won both the Crystal Bear and the Grand Prix of the International Jury for Best Film.
The Scout is not really about the mechanics of location scouting, even though it pays close attention to them. It is about what that job reveals. Sofia is always entering spaces, but rarely belonging to them. She is welcomed in, sort of, but only for a purpose. She is expected to observe, photograph, assess, negotiate, and move on. She is intimately present and fundamentally temporary.
The day before our interview, my partner asked me the most normal question in the world: "What is this one about?" I had an answer, sort of, but not a clean one. There is the surface-level premise that you can find on the internet, of course. A sexually frustrated hammer salesman named Carroll steps on a rusty nail and begins moving through an increasingly warped physical and psychological spiral. The world around him seems to decay as quickly as his body does. Ultimately, though, the film is difficult to pin down in any meaningful way.