Humane Film Review

We have a new Cronenberg film, but it’s probably not what you expect. Full Humane Film Review in Video.

Yes, there’s a new Cronenberg film, but not from the legendary David Cronenberg or his rising star son Brandon Cronenberg. Instead, this feature comes from Caitlin Cronenberg, making her debut with Humane.

The Cronenberg Legacy

David Cronenberg has redefined the body horror genre with legendary films like The Fly and, more recently, Crimes of the Future. His latest film, The Shrouds, is set to premiere at the Cannes Film Festival, promising a semi-autobiographical journey through a device that interacts with the dead. Meanwhile, Brandon Cronenberg has carved his own path with critically acclaimed films like Possessor, though his subsequent work, Infinity Pool, didn’t quite hit the same mark.

Now, Caitlin Cronenberg, younger sister of Brandon, steps into the spotlight. Known primarily as a photographer specializing in celebrity portraits—she even shot that iconic Drake album cover—Caitlin brings a keen eye for visuals to her filmmaking debut.

Not Your Typical Cronenberg

Humane is not your classic Cronenberg film. Caitlin herself describes it as “comedy gore.” I had the chance to catch its second-ever showing in Calgary, with Caitlin in attendance. Going in with little information, aside from knowing it was a Cronenberg film, I found it to be a surprising experience. Caitlin is forging her own path, distinct from the traditional Cronenberg model.

The screenplay, written by Michael Sparaga, Caitlin’s long-time friend, went through numerous drafts. Caitlin admitted that early versions weren’t great. To balance the film’s tone, they introduced what Caitlin calls “darkness passes,” ensuring that while the film leans into comedy, it retains some of that Cronenbergian darkness.

Plot Overview

Set in the near future, Humane explores a world suffering from overpopulation. Citizens are asked to “enlist,” essentially volunteering their lives in exchange for a monetary reward for their families. This measure is deemed necessary due to the collapsing environment and infrastructure. While the social messaging is a bit on the nose, critiquing human impact on the environment and the implications of privilege and wealth, it serves as a backdrop for the unfolding story.

The film transitions from these heavy themes in the first act to a more focused narrative in the second and final acts. Without giving too much away, Humane centers on a family who must decide who will enlist. This single-location film, set in a creepy manor reminiscent of Knives Out, unfolds in surprising and engaging ways.

Visual Language and Performances

Caitlin’s experience as a photographer is evident in the film’s visual language. Humane is well-lit and well-framed, with a visual style that, while safe, is consistently effective. Caitlin herself admitted she’s more comfortable setting up shots than directing actors, especially when it comes to dialogue. However, the experienced cast helps bridge this gap.

Led by Canadian legend Jay Baruchel, the cast includes Emily Hampshire from Schitt’s Creek and standout performer Enrico Colantoni. Colantoni, who plays a character named Bob, steals every scene he’s in, delivering one of the year’s best comedic performances.

Is It a Comedy?

Humane works best as a comedy. The film is surprisingly funny, with well-timed comedic beats that illustrate Caitlin’s natural knack for humor. While it includes elements of violence and darkness, these are secondary to the comedy. There’s a moment where it seems like the film might dive into classic Cronenbergian body horror, but a well-placed joke subverts that expectation.

Final Thoughts

Humane is a good film, if not earth-shattering. It’s a successful debut that works best as a comedy rather than a dark, twisted thriller. Caitlin Cronenberg has shown she has the talent and eye for visual storytelling. Moving forward, I hope she continues to take risks and push boundaries in her filmmaking. If Humane is any indication, Caitlin is a promising new voice in the Cronenberg legacy.

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