Bringing Holder’s vision to life required cinematographer Martim Vian to push beyond his usual approach and embrace new perspectives. From frequent static shots and unconventional lighting to capturing the authentic Brooklyn backdrop (complete with garbage cans and graffiti), Vian stepped out of his comfort zone to align with Holder’s bold ideas.

Sorry, Baby marks the feature film debut of Eva Victor, a writer and performer known for her work with Reductress and The New Yorker. While she’s built her career in front of the camera and behind the keyboard, her first foray into directing relied heavily on a strong partnership with cinematographer Mia Cioffi Henry.