Exclusive interviews with celebrated filmmakers and emerging talents.

Explore the art of filmmaking through personal insights and behind-the-scenes stories.

Emma Laird as Lola in the film Satisfaction, covered in blue with a sliver of light
Lola (Emma Laird) in SATISFACTION | Credit: Mate Herbai, Director of Photography

Emma Laird Delivers the Performance of SXSW in Satisfaction Film (Interview with Emma Laird and Director Alex Burunova)

At the 2025 SXSW Film & TV Festival, I sat down with Emma Laird and Alex Burunova to discuss a film that hasn’t let go since I first saw it. Though it remains one of SXSW’s quieter releases, it feels like a film that won’t stay under the radar for long.

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PAYING FOR IT: Love, Friendship and Paying for Sex (Interview with Sook-Yin Lee and Chester Brown)

Sook-Yin Lee and Chester Brown have a history unlike most exes: they "broke up" almost three decades ago, yet remain each other’s closest confidants. Chester took their story—detailing the end of their romantic relationship and his journey into paying for sex—and turned it into a graphic novel. Rather than being upset about having their private life on display, Sook-Yin found the book so compelling that she adapted it into a feature film.

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Cinematographer Ethan Palmer on PLAINCLOTHES and the Aesthetic Choices Behind One of the Best of Sundance 2025

I had the opportunity to sit down with Ethan Palmer and learn more about the creative and technical choices that helped make Plainclothes one of the festival’s most talked-about titles. From joining the project late to choosing to use a wide array of cameras and lenses, Palmer shared his perspective on crafting a look that honours the film's themes while also elevating the performances on screen. Here’s our conversation.

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Cinematographer Martim Vian on LOVE, BROOKLYN and How Director Rachael Abigail Holder Evolved His Work

Bringing Holder’s vision to life required cinematographer Martim Vian to push beyond his usual approach and embrace new perspectives. From frequent static shots and unconventional lighting to capturing the authentic Brooklyn backdrop (complete with garbage cans and graffiti), Vian stepped out of his comfort zone to align with Holder’s bold ideas.

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