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Here are the five most anticipated titles of this year’s festival – works that range from genre thrillers to urgent documentaries, each offering a distinct lens on Indigenous experiences. Whether you’re attending in person or tuning in virtually, these are some of the films worth watching.
#skoden digs beneath the infamous meme to reveal the complex life of Pernell Bad Arm, and, as our conversation shows, it does so without preaching. Instead, Eagle Bear aims to show Pernell as he was.
Vulcanizadora is a brutal, blackly funny descent into male loneliness, guilt, and fractured friendship. The film follows two old friends – played by Potrykus (Derek) and long-time collaborator Joshua Burge (Marty) – as they trudge into the Michigan woods on a grim, unclear mission.
Vampire Zombies...From Space! is fully aware of what it is: a loving send-up packed with heavy tropes, shameless jokes, and more heart than you might expect.
Predators avoids the structural safety nets of traditional documentary filmmaking. There’s no narration guiding us toward a particular point of view, no dramatic underscore telling us how to feel.
Good Boy is a microbudget haunted house horror told from the perspective of a dog. Its premise is straightforward: Indy, a retriever with no supernatural abilities, must protect his human companion Todd from a presence only he can sense.
Intimacy, Estrangement, and the Crow: Chloé Robichaud on her Film, TWO WOMEN The snow drifts slowly across the screen in the opening moments of Two Women, immediately anchoring us in…
Ebony and Ivory is not a biopic. It’s not even about the song. What it is, however, is an off-the-wall, slow-burn character piece that invites discomfort, absurdity, and unexpected moments of surrealism.
A Subversion of the Exorcism Genre: Michael Peterson on SHADOW OF GOD Ahead of the 2025 Calgary Underground Film Festival, I connected over Zoom with Michael Peterson, the Calgary-based director…
After premiering at SXSW 2025, $POSITIONS now makes its way to CUFF 2025 — a perfect home for Brandon Daley’s chaotic, hyper-topical debut.