Your guide to film festivals, including ones like Sundance, Cannes, TIFF, and more.
Read reviews, discover must-see films, and stay updated on the biggest events in the film world.
At its core, Death of a Unicorn takes a bizarre, high-concept premise and runs it through a mainstream filter. It has moments of gore and absurdity, but it never truly leans into its weirdness in a way that would push boundaries.
With O’Dessa, sound is everything. Right from the title card, Geremy Jasper and Jason Binnick’s score, coupled with a thundering sound design, announces that music is the heartbeat of this world.
At the heart of The True Beauty of Being Bitten by a Tick is Pete Ohs’ now-signature approach to filmmaking, a method he refers to as the “table of bubbles.”
SXSW 2025 is packed with exciting debuts, but few films have been crafted with as much care as Satisfaction.
10 Must-Watch Films at SXSW SXSW is always packed with films that demand attention — some fresh out of Sundance or TIFF, and others making their world premiere right here…
The Assessment marks the feature directorial debut of Fleur Fortuné, a sci-fi thriller that takes a coolly detached approach to dystopian storytelling.
Directed by Cole Webley and written by Robert Machoian, Omaha is one of the quiet standouts of this year’s Sundance Film Festival. It may be slight in its scope (and runtime), but that doesn't stop it from being emotionally devastating.
Atropia, the ambitious feature debut from Hailey Gates, has left the 2025 Sundance Film Festival with the Grand Jury Prize for U.S. Dramatic Feature. Still, the broader feelings about the project remain divided.
Eva Victor’s Sorry, Baby is a remarkable debut – a film that manages to be deeply unsettling while also ruthlessly funny.
Sook-Yin Lee and Chester Brown have a history unlike most exes: they "broke up" almost three decades ago, yet remain each other’s closest confidants. Chester took their story—detailing the end of their romantic relationship and his journey into paying for sex—and turned it into a graphic novel. Rather than being upset about having their private life on display, Sook-Yin found the book so compelling that she adapted it into a feature film.