CIFF will support cinematic arts with the introduction of a new “Constellation” of venues and activities to connect and animate downtown. Their vision for the future will activate cinema capacity in arts and multi-purpose spaces, theatre venues, public plazas, and other partner spaces.
Cannes 2024 is in the books, and it looks like we have a lot of brilliant films to watch out for
Furiosa: A Mad Max Saga is the follow-up to what many consider the greatest action film of the 21st century, Mad Max: Fury Road. But does it live up to the expectations?
When it comes to Richard Linklater, his films often fall into two categories: the deeply introspective like Before Sunrise and Boyhood, and the lighter, more entertaining like Bernie and School of Rock. Hitman definitely leans towards the latter, offering a fun and engaging experience that audiences will love.
The Last Stop in Yuma County is from a first-time director, Francis Galluppi, but when you watch it, you would think that you’re watching a film from a director with 10 plus projects already under their belt.
Challengers is out. It's hot, it's steamy, and it left me pretty confused.
It’s a new month, and that means new movies are hitting theaters. I’m going to run through four films that are either worth checking out based on my own viewing or have significant buzz and anticipation surrounding them.
I Saw the TV Glow is the second feature film from director Jane Schoenbrun. They exploded onto the indie scene in 2021 with We’re All Going to the World’s Fair, a low-budget, creepypasta-style production that garnered tremendous critical acclaim, even if it didn’t resonate as strongly with general audiences.
Yes, there’s a new Cronenberg film, but not from the legendary David Cronenberg or his rising star son Brandon Cronenberg. Instead, this feature comes from Caitlin Cronenberg, making her debut with Humane.
In my conversation with In a Violent Nature director Chris Nash, he shines some light on the filmmaking experience, from the surprisingly smooth pre-production process, through having to reshoot 70% of the film, to dealing with the inescapable imposter syndrome.