At its core, Death of a Unicorn takes a bizarre, high-concept premise and runs it through a mainstream filter. It has moments of gore and absurdity, but it never truly leans into its weirdness in a way that would push boundaries.
With O’Dessa, sound is everything. Right from the title card, Geremy Jasper and Jason Binnick’s score, coupled with a thundering sound design, announces that music is the heartbeat of this world.
At the heart of The True Beauty of Being Bitten by a Tick is Pete Ohs’ now-signature approach to filmmaking, a method he refers to as the “table of bubbles.”
SXSW 2025 is packed with exciting debuts, but few films have been crafted with as much care as Satisfaction.
10 Must-Watch Films at SXSW SXSW is always packed with films that demand attention — some fresh out of Sundance or TIFF, and others making their world premiere right here…
The Assessment marks the feature directorial debut of Fleur Fortuné, a sci-fi thriller that takes a coolly detached approach to dystopian storytelling.
I’m Still Here has quietly emerged as one of the year’s most remarkable finds – a film that faced an uphill climb but now stands firmly in the spotlight, and rightly so.
Every Best Picture Nominee Ranked | Oscars 2025 Oscar season is here, and with it comes the annual tradition of ranking every Best Picture nominee. Some of these films blew…
From my conversation with director Kyle Hausmann-Stokes, one thing became clear: My Dead Friend Zoe is more than just a movie. It’s an exploration of Hausmann-Stokes’ personal experiences as an Iraq War veteran and the post-traumatic pain and growth that can result. But, it isn’t only his story.
Oz Perkins, best known for The Blackcoat’s Daughter and Longlegs, returns with his newest film, The Monkey. Adapted from a Stephen King short story, it marks a clear stylistic and tonal shift from most of Perkins’ earlier work – enough so that it might just confirm his place among the best in genre filmmaking at this current moment.